Sunday 28 February 2016

Chess played in poker style!!

"You must take your opponent into a deep forest where 2+2=5, and the path leading out is only wide enough for one" - Mikhail Tal


As Tarrasch said, Chess has the power to make men happy like music and love....

.....and when it is played in poker style, it is loveliest and makes us happiest!

Walter Browne, the co-author of the game, which I am dealing in this article, was also an accomplished Poker master......and he perceived chess no different from.....!

Walter Browne - Anthony Miles: Tilburg, 1978


1.c4 b6

The Brit had an infatuation with the corner pawns and had the audacity to reply Karpov's 1.e4 with 1.....a6??!!! and 2.d4 with 2......b5!?!! and....... win!

2.d4 e6; 3.e4 Bb7; 4.Bd3 f5; 5.ef5!!?




And this position, introduced by Browne, survived the test of time and stayed in master class chess even in engine era!

"I had not planned to sacrifice a Rook before the game!" said Browne; which makes it all the more beautiful........ and I know, to most of the players of today, who are accustomed to engine preparation, this may not make any sense!   For, the engine would have already spat on the face of "his follower" with a "-1.66" and made him shiver!

 

"Fear is not even an option" said Alex Honnold - the free rock climber who has the habit of climbing solo, without straps and rope, on the steep 90 degrees (at times 45 degrees defying gravity!) rocky mountains which are as high as a kilometer and more!  A slip would mean death in mid air, much even before the body hits the ground far below!

If that is so, then parting a mere Rook in a corner is as cozy as living in mother's womb!  That is how great masters like Morphy, Alekhine, Keres, Tal, Bronstein, Spassky.....perceive giving material!

It will not be out of place to quote this fine anecdote!

Bronstein was playing White against Tal in USSR Championship, Riga in 1968.....and he played KingsGambit to reach the following position:


........when he suddenly played 15.g3! parting the Rook for Knight.  Keres commenting on the game wrote: "This move is typical of Bronstein! Few players would have considered a move like this here. When I asked Bronstein after the game why he did not play simply 15.Re1 check first, he looked at me as if I could not understand anything about the position and then said: 'I could not miss the opportunity to play a move like 15.g3 against Tal, which I may never get in my whole life'!


5....Bg2; 6.Qh5 g6; 7.fg6 Bg7; 8.gh7 Kf8; 9.Ne2!!




In such positions, you don't count material, but care about activity of your pieces and count on the inactivity of your opponent's! And.... of-course, an incarcerated or naked opponent's King makes one bolder and the choice easier!

What about the much hyped calculations.....I have seen Robert Hubner gobbling pages and pages of informant.... that too for the type of game that he plays (in non computer and engine era!) and if he had seen 99 % of those what he gave, he should have landed in mental asylum long back!

Of course, he would not have spent an hour of his limited time on what would happen in the US Presidential election or planning his vacation!

Browne wrote; "I spent around an hour weighing all the options. First off, capturing the Knight didn't work, but if I didn't take it I'd be a whole Rook down for two measly pawns! OK, the pawn on 'h7' has value and if I could develop quickly and use the g-file!? It all finally sunk in that it was all or nothing so I felt compelled to go for it!"

Very sensible comment and probably he would have seen a few options to a depth of 3 to 5 moves and weighed the end positions: for eg.,he considered:

9.hg8=Q Kg8; 10.Qg6 Bh1; 11.Bg5 Qf8; leading to Position- A &
9.Nf3 Nf6; 10.Qh4 Bh1; 11.Ne5 d6; 12.Ng6 Kf7; 13.Nh8 Qh8; 14.Nc6 leading to Position -B
&
9.Ne2! (the game continuation)

                 Position - A                                                              Position - B
                       
                                                             (analysis diagrams)

.....and both the above positions doesn't look optically pleasing enough to letgo a Rook!

The time spent would be more towards imagining where you want your pieces to be so that they look threatening and effective and how to go about bringing them to such squares! Probably, you might even put yourself in the shoes of your opponent and see how you feel!

You need to imagine where your pieces will be optimally placed so that they become worrisome for your opponent and would appear uncomfortable in his mind's eye!

Purely a mind game and what you need is great vision and imagination!  Chess problems are conceived and solved imaginatively and not through raw calculations.....calculations are mere tools to execute strategic plan and check the tactical viability and generally they extend only to a few moves deep.

Calculating myriad of variations and which branch out like a tree 'a la Kotov' should not be taken too seriously!

9.Ne2!!

The Knight gets the additional option of going 'h5' by taking this route, where it would reinforce the pin on f6!

9.....Bh1; 10.Bg5

What does Browne consider here!? "A very important point, setting up a lethal pin. Two clearly inferior alternatives were 10.hg8=Q? Kg8 and Black can offer a trade of Queens, which I abhorred. And 10.Nf4? would be an error since 10.....Ne7 covers g6 and my Bishop is blocked from g5."

10......Nf6

......and what else could Black consider here?  How can he adequately defend 'g6' square whilst thwarting White's pieces from attacking his King?  Two principle options fail miserably:

10.....Ne7 11.Nf4 Qe8; 12.Ng6 Ng6; 13.Bg6 Qc8; 14.Qh4! threatens Be7# as well as Qf4-f6#

(analysis diagram)

10......Bf6 so as to challenge that lethal Bishop which landed on g5 11.hg8=Q Rg8; 12.Qh6 Kf7; 13.Qh7 Rg7; 14.Bg6! Kf8; 15.Bh6 Nc6; 16.Nf4 followed by Nh5 and mate.

(analysis diagram)

More than the moves, visualising the position with prospective placement of pieces is what a player strives.

11.Qh4 Nc6; 12.Nf4 Kf7?

This move was admonished and 12.....Nd4!? or 12.....e5 were suggested as better try.  But as you can see both these moves and its responses does not give relief to Black King and his Knight on f6. White will bring out the Queen side Knight, Castle long and make his Rook participate in the attack and in the meanwhile Black will barely be able to keep the play going and his chief problem, besides attack on his bare King is the inactivity of his Queen and the Queen Rook.  Also, the lethal pawn on h7 will bring in unexpected twists in the tale!

But the move played and the follow up precipitates the issue by reducing all his three major pieces to puppets.

13.Bg6 Ke7



This is an attempt to take the King away to Queenside, but in the process Black loses material which decides the issue.  13....Kf8; 14.Nd2 Nd4; 15.OOO Nf5 (16.Nh5 was threatened!) 16.Bf5 ef5; 17.Ng6 Kf7; 18.Nh8 Qh8; 19.Bf6 Bf6; 20.Qh5 and 21.Rh1 wins is a linear variation given by both the player and the analysts.  But a mere look at the position after 13......Kf8 (below) indicates how precarious Black's position is and the very discomfort of Black and the active pieces of White would ensure that the moves flow!  Of course, the players might engage themselves in working out a few moves and stop to weigh the resulting positions and...... yet will play the move which their mind throws at that particular moment driven by the desire and pressure and what not.....!

(analysis diagram)

Never think that a master will always play 'the correct' move.....'correct' or 'wrong' are very subjective terms!  Korchnoi said, "all obvious moves look dubious in analysis after the game'!


14.Nh5 Qf8; 15.Nd2 e5; 

If 15.....d5, then 16.OOO Be4; 17.Ne4 de4; 18.Be4 is not rosier for Black.  The move played was an attempt to eliminate that Bishop on g5 and hoping for lessening the pressure on f6 Knight.

16.OOO Nd4; 17.Rh1 Ne6; 18.f4! d6; 19.Ne4 Ng5; 20.Qg5 Bh6; 21.Qh4! Bg7



If 21.....Bf4; 22.Nf4 ef4; 23.Re1 crushes Black!

22.fe5 de5; 23.Rf1

The last nail on the coffin!

23.....Kd7; 24.Nef6 Bf6; 25.Nf6 Kc8; 26.Be4 c6; 27.Qh3 Kb7; 28.Bc6!

The acceptance of this gift mates the King in three moves and abstention delays it a little further!

Hence Miles Resigned!

A fine game by Walter Browne where he remained a Rook down from move 9 to 17.....but ensured that Black remained two Rooks down!!




Saturday 20 February 2016

One King is struck in the center, while the other wanders.....both willingly!

A word of caution for those who are in their early stage of understanding this great game of Chess: Don't follow this example, until you reach a level of chess comprehension.....I mean, leaving the King in the center......!

.......and, pure chess lovers and masters.....are invited to take a stroll along with the Kings.....how inviting they were!

Paul Keres.....one of my favourite chess player (if I had a son, he may well have got that name or Alekhine!); is one of the true artist of chessboard whose creations will remain etched in the minds of true chess lovers..... and is one of those greats like Rubinstein and Bronstein...on whose head, Caissa would loved to have placed her crown....and smiled!

Alas......

This game is for celebrating the centenary of this great player....!




Siebold - Paul Keres, Correspondence - 1932


1.e4 e6; 2.d4 d5; 3.Nc3 Nf6; 4.Bg5 Bb4; 5.e5 h6; 6.Bd2 Bc3; 7.Bc3 Ne4; 8.Qg4 Kf8





The first movement sideways! A typical move in certain variations of French Defence.

9.Bd3

9.Bb4 c5; 10.Bc5 Nc5  does nothing great for White and 10.dc5? Nc6 will only end up in disintegrating White's center.

9.....Nc3; 10.bc3 c5; 11.h4 Qa5; 12.Kd2

......and White King follows his counterpart's footsteps....!  Yet, this too is a typical French move.

12.....Nc6

French center is very unique and mastering the various center formations and their resolutions would lead one to make a great stride in understanding chess! 

13.Nf3 cd4; 14.Nd4 Ne5; 15.Qg3 Nd3; 16.Qd6!




16.......Ke8!?

......there he goes again!  The choice was between aiding his Bishop to come out or to travel to 'h7' so that....that Rook does not remain tucked in that corner!

17.cd3 Bd7; 18.Rhe1 Rc8!

Responding to a threat with a threat!  The threat was.....19.Nf5!    As Keres himself wrote, both the players threw caution to winds and were aiming for the 'other' King!

19.Rac1 Qc5! 20.Qe5! Kf8!

Back again!

Because of the positioning of both the Kings, there are various possible ways of continuing the attack and defence.  Such play creates poetry with both players writing the verses in tandem!

21.g4

As Keres mentioned, 21.Re3 followed by 22.Nb3 and a subsequent d4 merits attention.  But, White has other ideas!

21......b5; 22.f4 b4; 




23.cb4!?

Who wants peace.....which 23.c4 would have ensured!?

23......Qb4; 24.Ke3! f6; 25.Qh5 e5!?

"Nowadays I would have prepared this thrust with 25.....Re8 but at that time I was especially entranced by the forced continuation of the text-move with all its combinative possibilities. And indeed it must be granted that the ensuing portion of the game is not lacking in complications." - Keres

26.fe5 Re8; 27.Rf1!





Now, 27.....Kf8 (so as to threaten ......Re5!) is impossible as 28.Rf6! would mate the Black King

27.....Qb6! 28.Rb1 Qc7; 29.Nf3 Qc5; 30.d4 Qc2!?




Wow!  What a position!!  White Queen is in grave danger as .....g7-g6 intends gobbling it and his King is roaming in the center, shelter less. Despite this, he derives strength, to continue the fight, from the activity of his Rooks, Knight and that lethal pawn on e5!

31.Ng5!! g6; 32.Rf6 Kg7; 33.Rb7!!





Truly a remarkable position....which generally occurs only in Chess Compositions!!

Human mind has limitations in calculating accurately....but Chess can sustain its beauty only by nurturing this limitation of human minds and not by subjecting such positions to gruesome rape by the 'chess-engines'.

The games that I deal with, in this blog, may not stand the test of those goddamn engines.....to hell with them!  I am least bothered by the assessment of this position arrived through consulting engines.... I am least bothered about the "correctness"....

......rather I wish to deal with imperfections and languor and devour the 'imperfect beauty' that the human limitations bring in!

33.....gh5

Of course, 33......Re7 leads to a perpetual after 34.Ne6!

34.Rd7?

"But this mistake makes things much easier for Black. White should continue here with 34.Rf7 Kg8; 35.Rfd7! threatening mate in two. During the game I had prepared the following variation:



35.....Qg6; 36.gh5! Qf5 (36.....Qh5; 37.Rg7 Kg8; 38.Nh7! Rh7; 39.Rh7! =) 37.Rg7 Kf8; 38.Rgf7 Qf7; 39.Nf7! Rh7; 40.Nd6, though all the same a win for Black here is not certain.

It is natural that, in the case of a young player, his concrete analyses betray far fewer inaccuracies than his positional assessments. This example is a case in point. Whereas in this game I formerly judged quite a number of positions in a manner either open to dispute or even incorrect, the concrete analysis reproduced above is in fact quite good. Only the conclusion is open to doubt, because after
 40.....Rb7; 41.Nb7 Ke7 Black retains excellent winning chances (or does he!?)

But the analysis also is itself not wholly accurate. At the time I had not at all noticed that instead of playing 36.....Qf5 Black could also try 36.....Qf6! Apparently this move wins without much difficulty since both 37.Nh7 Rh7; 38.Rh7 Qf5! and 37.Rf7 Re5; 38.de5 Qe5; 39.Kd3 hg5; 40.Rfe7 Qf5 and Qe8 wins......

Nevertheless White disposes of a most surprising defensive resource here, to wit, 37.Rf7 Re5; 38.Kd2!!




It becomes manifest that Black's own Rook renders the win difficult. If the Rook on e5 is removed (from the board.....literally!) then Black wins simply by 38.....Qd4 followed by 39.....hg5.Now, however, if Black wants to play on for a win, he has nothing better than 38.....Qd8whereupon there follows 39.de5 hg5. A detailed analysis of this position would lead us too far and in any case does not pertain to the annotations already made here, but it is clear that Black retains some winning prospects. In any event a most interesting variation." - Keres

Coming back to the game.....after 34.Rd7?



34.....Kg8; 35.Rff7 Qc3! 36.Ke2 Re5!

Made possibly only by the presence of White Rook on f7 thereby threatening no mate!

37.de5 Qe5; 38.Kd3 hg5; 39.Rf5 Qe4 White Resigned

On a open board with the White King so naked, White Rooks have no chance of survival!


Very sad to see a side lose this game!  A pure poetry!




Tuesday 9 February 2016

Two mad men!

The primary aim of this blog is to focus on the aspect of beauty in Chess.  The positions discussed here will need more of your imagination than calculation. Needless to mention that the positions would be very deep and would require a great deal of time, imagination and above all love for the game.... and those serious readers will do better to explore and enjoy the beauty of the positions considered here by .......using


.....not this                                                                               .......but only this!


                                                                                  .
                             







The positions discussed here have potential to be expanded to humongous proportion.  For heaven sake, do not spoil the beauty by using engines....you will neither do justice to self and the creator of those beautiful positions!

If god appears in front of me and grants a boon, I would ask him to destroy all chess engines irrevocably and the ability to create such nonsense by men, in future!


Here we go!

David Bronstein - Bent Larsen,  Amsterdam Interzonal, 1964


The Rook reached seventh rank as early as 17th move! Black allowed this with the hope of trapping it with....

17.....Nd7; 18.Nf4!

Bronstein took his Rook there not to retreat....but to survey and surveil those squares in front of Black King and exploit the lateral power of Rook, with the help of his Knights and then send for the Queen to mate the Black King!

Powerful pieces like Queen and Rook should not be used to do menial jobs like grabbing the pawn etc. If for some reason, they infiltrate into enemy camp, effort should be made to make them stay there and explore possibilities of creating disturbance and discordance in the enemy camp. Wherever they are, they should make their presence felt strongly, if not, they should not venture at all.

18.....Nb6!?

Larsen accepts the challenge.  Of course, had he played 18......Qc8; the Rook would have come back and the game would have taken some other course!

19.Re1!

Indirectly guarding the Rook!

19.....Bc3!

Now what!?  Black is threatening to take on d2 and grab c4-pawn.

20.Ne4!!


"A snick by Jack Hobbs, wrote Neville Cardus, is a sort of disturbance of cosmic orderliness."  Jack Hobbs was a great English Batsman who carried the nickname "The Master"!  Hobbs was never interested in mere run accumulation and stood up to sustain the beauty of the game, maintain sportsmanship, and wrote that "Cricket would be a better game if the papers didn't publish the averages."

Chess needs more of Bronstein's and Tal's who risked everything for the "act of creation"! And the most important aspect in the act of creation is 'the vision' to spot the essential and shed the rest!

Here, in the current position, 'the Rook on e1' has done its role.....providing support for this Knight to jump on to 'e4' square from where it will eye on both 'f6' and 'd6' squares. Moreover, that dark squared Bishop of Black is the chief defender of Black King and the dark squares around it and therefore, this transaction, which follows is most desirable for White.

20.....Be1

Infact, Bronstein felt that Larsen would have done better to take a draw here by repetition.... 20......Bg7; 21.Nc3 Bc3; 22.Ne4 Bg7...etc!

21.Ne6!

Preparing the field for the arrival of his Queen!

21......Bf2!

A co-creation!  Black cannot afford to retain this Bishop and eat that Knight!

If 21.....fe6; 22.Qg4 Re7; 23.Qg6 Kf8; 24.Nf6!
If 21.....Qc8; 22.Nf6 Kh8; 23.Rf7!
If 21.....Re6; 22.de6 f5; 23.e7!

The presence of the White Rook on b7 is killing!

22.Kf2!?

There are four moves for White King here and this one is The effective move! Bronstein would have certainly considered this when he put that Knight on e6, for, this move opens the f-file for Black to check with his Rook and organise defence against White's onslaught.

And this is evident from his disregard for the simply beautiful (not simple!) draw with......
22.Nf2 fe6; 23.Qg4 Qg5


24.Ne4!! a second coming for this Knight!! 24.....Qg5; 25.Nf6 and it starts giving perpetual checks.



Returning back to the position, after 22.Kf2!?



22.....fe6; 23.Qg4 Rf8; 24.Kg1 Rf6;



Here, Bronstein had a relook at his initial consideration, when he embarked on Ne6: 25.de6 h5; 26.e7 Qe7; 27.Re7 hg4; 28.Nf6 Kf8; 29.Rb7 =

Then, it suddenly occurred to him that Black is not forced to play 25.....h5; instead he could as well play 25.....Qf8; 26.e7 Rf1; 27.Kh2 Qh5!....

......and to his horror saw that the important points got covered and the Black Rook too escaped from getting captured..... and however mighty that pawn on e7 may be.....a Rook is a Rook after all! (.....or is it!?)

......and played....

25.Qh3??

We shall see the reason for the double question mark shortly....

The game concluded.....

25......Qf8; 26.Ng5

26.Nf6 Qf6; 27.Qh6 Qd4! 28.Kh1 Qh8!

26.....Rf1; 27.Kh2 Rf5; 28.Ne6 Rh5; 29.Qh5 gh5; 30.Nf8 Rf8 and Bronstein Resigned.....

......but did not sleep that night and was haunted by the position and his decision on the 25th move!



POSTSCRIPT 

Unable to sleep, Bronstein went for a long walk that night.....deep into night....mulling over the position, blind....

......and suddenly SAW what he could not see with his naked eyes, then during the game, jaundiced by illusory fears!  Rushing back to the room from the walk, he woke up his second and trainer Konstantinopolsky and showed him the following....!

Position after Black's 24.....Rf6



25.de6 Qf8; 26.e7 Rf1; 27.Kh2 Qf5 (the point where he had stopped while playing) 28.Qf5 Rf5



29.Ra7!!

The flash of brilliance which appeared and enabled his restless....sleepless mind sleep....after all, his concept of 21.Ne6! started with the previous Knight sortie Ne4! was appropriate and artistic!

Artistry at its best!!  Already a Rook down and White is able to offer his remaining Rook too!!

Such is the resilience of any position in chess..... Such is the artistic element hiding in each and every position in chess....

.....all that it requires is an artistic mind.....a great imagination....inspiration.....to discover them.....!
To remove the unwanted.....hindering pieces and pawns....both one's own and opponent's......like Michelangelo chiseling and removing the unwanted portion of the granite to reveal the David!




Both the Rooks exercise mutual reverence in the ensuing hide and seek that they will start playing now.....White Rook begs to be gobbled so that the e7 pawn can be promoted and Black Rook refuses....so as to prevent that pawn from promoting!

Meanwhile, the other way.....

29.....Re5 fails even to hold because of 30.Nf6! when 30.....Kh7 walks into mate and 30.....Kg7 walks into discovered check Queening the pawn!

The saga doesn't end here....!



Larsen later said, he had......

25......Nc4!



When.....

26.e7 Rf1! 27.Kf1 Ne3; 28.Ke2 Ng4; 29.ed8=Q Rd8 and Black is winning!

Of course! But......

Bronstein reckoned that he was not compelled to take the Rook in the above line!

.....and play



27.Kh2!! Qe8; 28.Qe2! Rf5; 29.g4 Qf7; 30.gf5 Re8; 31.fg6 Qe6
.....and Larsen said, he stood better in this position!  But.....



Bronstein jolted him with

32.Qc4!! Qc4; 33.Nf6 Kh8; 34.g7 Kg7; 35.Ne8 Kg6; 36.Nd6 Qh4; 37.Kg1 Qe1 and Perpetual Checks follow


And thus, the great saga was laid to rest peacefully!!


Postscript for postscript!!

There may be certain moves which could be improved (in fact there are...!), and the modern engines may concur with most of the decisions made by both the players and later discussed as postscript..... and there may be occasions where it shows something better, outright, using brute force that it is capable of!

But, one needs to keep in mind that human brain is not a computer engine and it thinks and feels differently.....feel.....feeling.....is the most important aspect when it comes to approaching.... chess or even life at large.....always it is a progress towards the nearest truth.....not the ultimate......!


THE END